A Cahya Legawa's Les pèlerins au-dessus des nuages

We called them different things: blankie, stuffie, the ragged cloth, the bear with one eye. To the adult world, they were mere things—fibers, stuffing, inert matter. But to the child, they were the first and most faithful citizens of a sovereign self.

This attachment is not mere habit; it is our first philosophy. It is our initial, stumbling answer to the great, silent question of existence: What is me, and what is not? The edges of the self are soft and bleeding at birth. We are a chaos of sensations—cold, hunger, light, the scent of a mother, the hard edge of a crib. And into this chaos, we select an anchor. Not the parent, who comes and goes in a glorious and terrifying rhythm of absence and return, but the object—constant, silent, obedient.

We bring it everywhere because it performs a sacred function: it translates the world. The unfamiliar park becomes safe because the bear sits on the bench. The dark bedroom ceases to be a void because the blanket, pressed to the cheek, maps a known universe of texture and smell. The bath is not a submersion in watery nothingness, but a voyage with a trusted captain—the rubber duck, the soggy cloth. The object becomes a talisman of continuity. It whispers, You are still you, here and now, as you were there and then.

In this, we practice our first metaphysics. We imbue matter with spirit. We engage in pure, unironic animism. The worn ear is not just chewed; it is listened to. The missing button-eye sees in a different, deeper way. This is not a failure of reason, but a foundational act of meaning-making. We are learning to love, to project care onto the world, to see essence beyond appearance. The object teaches us that value is not inherent, but bestowed—a lesson that will later define our relationships, our art, our ethics.

But the object also shapes our existential stance. It is the one thing in our young lives over which we have total, unambiguous dominion. It does not argue. It does not refuse. It receives our tears, our rage, our secret whispers. In controlling it, we experience a semblance of control over a universe that is overwhelmingly large and indifferent. It is our first confidant, and in confessing to it, we begin to hear the shape of our own inner voice.

Then comes the inevitable: the loss. It is left in a hotel, disintegrates in the wash, is gently taken away by a parent who says, “You’re too big for this now.” This loss is a quiet, profound catastrophe—the fall from a unified world. It is our first taste of true, irrevocable separation. And in surviving it, we learn a bittersweet truth: the object was not the source of our security, but the practice ground for it. We internalize its function. The blanket’s comfort becomes our own capacity to self-soothe. The bear’s steadfast gaze becomes our own inner resilience.

So how does this attachment shape us?
It shapes us as the first architect shapes a cathedral—from the ground up, instilling a blueprint of meaning. It teaches us that:

  1. The world can be made familiar. We learn to carry “home” within us, as a portable reality.
  2. Love can be projected onto the silent and the simple. This prepares us for the complex, reciprocal love of people.
  3. We are the authors of significance. The “sacred” is not given, but created by our own fierce, devoted attention.
  4. Loss is endurable, and even necessary for growth. The internalized object becomes the scaffold of our independence.

We grow. We leave the tangible object behind in the attic of memory. But its silhouette remains, etched into the foundation of our being. As adults, we no longer clutch a blanket, but we still seek its analogues—the talismanic pen for the writer, the worn tool for the craftsman, the familiar ritual in an unfamiliar city. We are still building bridges between the vast, strange world and the small, sovereign self.

We were never just attached to a thing. We were attached to the act of attaching itself—our first, brave declaration that we are here, in this strange cosmos, and we will make a place within it that feels like our own. The ragged cloth was our first flag, planted on the shore of being. And though the flag itself may be lost to time, the territory it claimed—the entire, rich, complicated landscape of a self—remains ours to inhabit forever.

Commenting 101: “Be kind, and respect each other” // Bersikaplah baik, dan saling menghormati (Indonesian) // Soyez gentils et respectez-vous les uns les autres (French) // Sean amables y respétense mutuamente (Spanish) // 待人友善,互相尊重 (Chinese) // كونوا لطفاء واحترموا بعضكم البعض (Arabic) // Будьте добры и уважайте друг друга (Russian) // Seid freundlich und respektiert einander (German) // 親切にし、お互いを尊重し合いましょう (Japanese) // दयालु बनें, और एक दूसरे का सम्मान करें (Hindi) // Siate gentili e rispettatevi a vicenda (Italian)

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